Alfonso Cuaron has established himself as a highly artistic
and visionary director with a variety of great films and prestigious awards
under his belt. About twenty two years since he last took on duties for all
four major areas of filmmaking (Directing, Producing, Writing, and Editing) Cuaron
returns to the silver screen with ‘’Gravity’’; an awe-inspiring film that more
than bests most modern science fiction films.
A mission is underway with the crew of the Explorer Space Shuttle
when a debris storm shatters the spacecraft and severing all contact with
Earth, leaving the survivors in a struggle to land back on solid ground. As you
can probably tell, Gravity’s plot is incredibly simple and easy to grasp; we’ve
seen the likes of Cast Away and 127 Hours in addition to several other survival
stories set in space but this one sets itself apart with a foreboding and
lonely mood. After the initial destruction of the Explorer, Stone and Kowalski
are the only survivors and can only rely on each other to get back to Earth.
The journey is long and perilous with several locations playing a role
throughout the action. The film drifts from tense situations in which space
debris continues to impede the character’s progress to moments of calmness
which allow both them and audience to contemplate their situation and whether
or not they will manage to get back to Earth. Gravity maintains this structure
throughout its run time which keeps the audience engaged and ensures that there’s
never a dull moment where you’ll be waiting for something to happen.
There may be two big names printed on the poster but Gravity
is really all about Ryan Stone’s (Sandra Bullock) journey across space to
return home. Bullock’s performance is very well rounded and emotive and even
though we don’t learn too much about her background there’s no need for it; a surprisingly
detailed character arc is present in the way she transforms from vulnerable and
frightened into a capable and determined woman. Complimenting her performance
is George Clooney as Matt Kowalski. As the leader of the team he cares deeply
for the safety of the crew but he is also quite relaxed and cheerful in the way
he interacts with Stone. Ultimately Clooney’s performance in the film is simple
and they keep him no longer than necessary; rather than distracting from
Stone’s struggle, his behaviour and mannerisms seem to transfer onto her,
strengthening her resolve to return to Earth, making him all the more likeable
for the screen time he is given.
The cinematography in Gravity headed by Emmanuel Lubezki is
simply staggering in the way it immerses the audience in both the setting and
the character’s struggles. When the characters are spinning or climbing around
space stations the camera will do the same, seamlessly translating the feeling
of disorientation onto the audience and always giving a clear view of the
action. Numerous zoomed in focus shots brilliantly convey how the forces in
space affect both objects and the elements; these contrast with the long shots
of the hurtling debris, which only adds to the tension as several man made
spacecraft are smashed to pieces throughout the film. Despite the immense
threat of being lost in space, Gravity also uses many wide and beautiful shots
of the Earth combined with an almost eerie silence to create a serene and
exquisite atmosphere. You really feel that the creators of the film took the
time to find out about how space works and how to best absorb the audience and
it pays off in heaps for the technical presentation.
Of all the science fiction films released this year
‘’Gravity’’ is the shooting star in the sky; with Sandra Bullock’s outstanding
lead performance, superb tension and all around beautiful cinematography all
gelling together to produce a truly astounding movie on every front.
Rating: 5/5 Stars
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