Since it’s breakthrough in 1994, the Need for Speed series
has stood tall as the most successful racing game of all time, selling over
140 million copies worldwide. The series now moves into mass media, but seems
to have arrived late however, and as such, faces some very difficult
competition with its film debut.
Need for Speed follows Tobey Marshall (Aaron Paul) and his
pals as they race to get their own back on rogue racer Dino Brewster (Dominic
Cooper). Dino baited Tobey into a race, leading to the death of his friend Pete
(Harrison Gilbertson) and landing him in jail. To reach his rival turned
arch-nemesis, Tobey must drive across the US in a bid to enter a supercar race
ran by a man known as Monarch (Michael Keaton). If the plot sounds familiar,
that’s exactly what it is; if you’ve played the Need for Speed games or watched
the many Fast and Furious films then you’ll see the cameos and twists coming
from a mile away, whether it’s the bantering characters out of Fast Five or the
final chase scene which practically mirrors Need for Speed Hot Pursuit exactly.
To say the plot of Need for Speed is uninspired puts it too lightly; the film’s
plot, despite being easy to follow and proceeding at a reasonable pace, doesn’t
have a lick of innovation under the hood, making it difficult to take
seriously.
There are a few big names attached to Need for Speed but
ironically only Aaron Paul comes close to turning in a worthy performance in
the film. He brings a much needed layer of emotion, however brief it may be to
an otherwise blank cast; but even then his performance falls far below the
legendary Jesse Pinkman. It’s ultimately a step back for the young actor.
Unfortunately every other character is just as clichéd as the plot they inhabit.
Tobey’s so-called friends are extremely under-developed and some of them are
really annoying too; they’re simply too over-the-top to be memorable. Imogen
Poots as Tobey’s love interest Julia reminded me a lot of
Rosie-Huntington-Whitley in 2011’s Transformers: Dark of the Moon in that she
really doesn’t say or do anything but instead merely fills in a place and looks
pretty throughout the film. Dino is woefully similar to the character of
antagonist DK found in ‘’Fast and the Furious: Tokyo Drift’’ and regretfully
Michael Keaton has been subjected to the same fate as Samuel L. Jackson in
Robocop; tacked on to serve as a soulless commentator on the action rather than
a direct participant. Like so many game adaptations before it, Need for Speed’s
characterisation is as basic as it comes, chucking development out the window
to place a primary focus on the action.
Need for Speed may suffer from a derivative plot and minuscule
character development but where it does redeem itself a little is through its
action and cinematography; the car stunts, races and other set-piece moments are
all fully practical with not a single computer generated effect in sight. The
helicopter lift and police escape sequences are particular highlights which
really capture the feel of the game series the movie is based on. The film also
boasts some great cinematography with a variety of wide, short and point of
view shots which keep the action visible whilst rarely devolving into shaky
territory. With that said, the action sequences fall short of being the best in
the genre as its competitors have continued to push the envelope over the
years. The music is fairly basic, not really complimenting the film very well so
instead the film’s audio is mainly comprised of various car engines and skids
along the tarmac, enough to satisfy the film’s target audience and little more.
The technical presentation of Need for Speed is generally well done but all
told it cannot save the overall package.
Need for Speed probably would have been the best film of its
kind had it been released fourteen years ago, but as it stands the film comes
off as yet another shameless cash-in riddled with clichés and derivative
production choices. Speed demons and car lovers will get some enjoyment from
the practical stunts but overall you’ll get much more entertainment value by
playing the games themselves. The search for a solid game-to-movie tie-in goes
on…
Rating: 2/5 Stars
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