When it comes to films made about World War Two, a question
arises; will they be based in the battles of the European front or the more
naval and air focused warfare of the Pacific? Following David Ayer’s tank based
Fury in October 2014; director Angelina Jolie has turned her attention to the
latter setting and one soldier’s desperate struggle for survival.
Unbroken (based on the novel by Laura Hillenbrand) follows
Louis “Louie” Zamperini (Jack O’Connell) an Olympic runner who also served as a
bombardier in the United States Army Air Forces. On a seemingly normal search
and rescue mission, Zamperini’s B24 Liberator crashes into the ocean, leaving
the survivors stranded for 47 long days. From here things go from bad to worse
as Zamperini is captured by the Japanese and imprisoned in a POW camp run by
the ruthless Mutsuhiro “Bird” Watanabe (Miyavi). The film’s plot unfolds across
a predominately present tense where we see the main character’s struggle
alongside the others prisoners he meets; but it also crosses parts of Zamperini’s
past in it’s first act as well as we see how he became an Olympic runner. One
of the interesting things Unbroken does is subtly weave key events into its
narrative; rather than place text on screen to let the viewer know how time has
passed, the prisoners are informed by their captors or the film projects
certain images into the background, such as the Nazi flags present at the 1936
Olympics in Berlin. This ensures that the audience is engaged with Zamperini’s
struggles and also highlights that the prisoners have indeed lost all sense of
time over the course of their incarceration at the POW camps; it puts you in
their perspective as the film goes on. While the film succeeds in absorption,
it could have utilised the main character’s central trait better; after
Zamperini’s appearance at the 1936 Olympic Games, his passion for running, the
fuel which powers his determination is rarely mentioned again. This could have
been woven into the narrative more coherently to give the audience a stronger
understanding of what kept him going during his time in the camps.
With a setting as grim as the POW camps of World War Two, the
performances give off just the right emotion you’d expect from a movie of this
genre. Jack O’Connell gives a great performance as Louie; you really do feel
the sheer desperation that grips his character as he is relentlessly beaten and
worked in the camp. His performance is complimented by the extras surrounding
him, who should all be commended for the looks of oppression and fear they convey
throughout the film. Despite it being his first film, Miyavi makes for a really
intimidating and sinister villain in “Bird”; he’s always intent on making the
lives of his prisoners a living hell which keeps the viewer guessing as to what
horrible deed he’ll commit next. On the other hand though, most of the side
characters don’t have much depth, particularly Zamperini’s family. (Who with
the exception of Louis’s brother are played by Italian actors) If they were
given more screen-time to develop and show the bond they possess with Louis, it
would have made audience that much more invested in seeing him come home.
The POW camps portrayed in Unbroken are exactly how you would
expect them to be; dangerous, decisive and grotty in their nature. The bright
sun enveloping the setting contrasts heavily against the prisoner’s hard
labour, something which is clearly and vividly framed from a variety of camera
angles. The film makes a minimal use of CGI, instead relying on real locations
and sets to immerse the audience in the film. A lot of effort clearly went into
make-up and injury effects, especially on the prisoners themselves; they become
more and more ragged and tarnished throughout the film and by the end, they
look like shells of their former selves, malnourished and weakened by the
ordeals. The music composed by Alexandre Desplat is very strong, fitting the
poignant and tragic nature of the prisoners and the situation they have no
escape from. Like many other films of its kind. Unbroken does a fine job of
conveying the harsh realities of war from beginning to end.
Unbroken is a rough, gritty yet engaging tale of one man’s
utter resilience and determination to endure and survive. Not all of its moving
parts come together fully but overall it’s another tale worthy of admission to
the long standing war genre.
Rating: 4/5 Stars
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