Released: August 5th 2016 (Worldwide)
Length: 123 Minutes
Certificate: 15
Director: David Ayer
Starring: Will Smith, Margot Robbie, Viola Davis, Jared Leto, Joel Kinnaman, Jai Courtney, Jay Hernandez, Adewale Akinnuoye-Agbaje, Karen Fukuhara and Cara Delevingne
Suicide Squad is the third main entry in DC’s cinematic
universe and the first to feature mostly villains in the starring roles. The
pressure is on for the film to deliver but reactionary measures have left it
far from the wacky, creative ride we were all expecting.
In the aftermath of Batman v Superman, Intelligence operative
Amada Waller (Viola Davis) devises a clever (or foolish) plan for a defence
contingency; bringing together several unsavoury characters to form a
disposable team. This group initially includes the marksman Deadshot (Will
Smith), deranged Harley Quinn (Margot Robbie), Captain Boomerang (Jai
Courtney), Diablo (Jay Hernandez) and the scaly Killer Croc (Adewale Akinnuoye-Agbaje). After a few uncooperative
events the team is eventually brought together to take on an ancient threat in
Midway City which is out of the government’s control. It’s a relief to see a
single central plot in Suicide Squad; the first and second acts are
straightforward and understandable, occasionally dipping into flashbacks as we’re
introduced to the characters. While the plot is certainly easier to follow, the
pacing still needs a lot of fine-tuning; it’s clear that Suicide Squad was
trimmed quite a bit before general consumption. The film’s central antagonist
(which I won’t spoil here) appears out of nowhere without any kind of build-up
or development. The final act doesn’t really flow; instead it shuffles from one
action scene to another, dropping to an unnecessary pause before the final
battle. Refusing to bounce between two or three different plotlines is a
welcome improvement but Suicide Squad finds trouble when it comes to keeping
the audience fully invested.
There are many different characters in Suicide Squad but the
film doesn’t really use this to its advantage. Will Smith turns in a pretty
good performance and Viola Davis is suitably ruthless but by far the best actor
here is Margot Robbie as Harley Quinn who absolutely nails the crazy,
happy-go-lucky villain. Sadly just about every other character is incredibly
underdeveloped and never receives their moment to gel with the group. Case and
point; there’s one character who is put down only one scene after he’s
introduced. The leader of the group, Rick Flag (Joel Kinnaman) is little more
than a simplistic military grunt, his personal ties to the antagonist being
impossible to sympathise with. Courtney (who isn’t really too bad here),
Hernandez, Adewale and the others can never capitalise on the individual
personalities of their characters and their backstories are all hastily thrown
at the screen before the action takes over. All being told there just isn’t
enough chemistry between the characters to make them feel like a team we would
root for; most of the time you see them breaking off into pairs rather than
getting to know everyone equally and this really hampers the film’s goal as an
ensemble production. Then there’s Jared Leto’s Joker, who pretty much crashes
out of the movie before he has the chance to make his presence felt; many of
his scenes were cut before release and it’s a huge shame that he didn’t get to
share his crime boss styled interpretation fully.
Much like the films that came before it, Suicide Squad boasts
a suite of capable special effects that mostly rely on computer imagery. The
destruction of Midway City is always on display, highlighting the power of the
antagonist and the action is perfectly viewable, despite being fairly
pedestrian. Make-up work is also a strong point here with Joker, Harley Quinn,
Diablo and Killer Croc all being very detailed (if only their on-screen
chemistry was better!). The soundtrack for Suicide Squad is rather puzzling
though; it features a list of lively tracks, but the film seems to mistake this
choice for an instantly light-hearted tone. With the script and characters
often falling well short of the comedic relief promised, it feels as if the
songs were shoehorned in as a cheap method to lighten the mood. The overall
style of the presentation is mixed too; a strange collection of strobe effects
(probably intended to highlight the unhinged nature of the characters) mixed
with a plain filter makes the look of Suicide Squad quite inconsistent at times.
The colourful credit sequences that mark the beginning and end of the film are
a sign of lost potential, a promise that Suicide Squad fails to fulfil, despite
its eye-catching special effects.
If you were looking for some sort of redemption for DC’s
rocky cinematic roadmap then Suicide Squad is not it. Despite having a more
focused plot and a few decent characters, the film still ends up feeling
incredibly rushed and messy as a result of some studio interference. For all
the emphasis placed on big selling points (especially the new Joker and a more
light-hearted tone), the film is very disappointing. Check out the film for
Deadshot and Harley Quinn if you enjoy them as characters but other than that
it’s not really worth watching.
Rating: 2/5 Stars
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