Released: 18th August 2017 (UK)
Length: 95 Minutes
Certificate: 12A
Director: Nikolaj Arcel
Starring: Tom Taylor, Idris Elba and Matthew McConaughey
Stephen King’s fiction has achieved many followings over the
years, resulting in countless film adaptations that have reached varying
success; following in the footsteps of The Shining, It, and Children of the
Corn, The Dark Tower could well be the worst adaptation released in the author’s
long ventures in writing.
In modern-day New York, young Jake Chambers (Tom Taylor) is
plagued with mysterious visions of a tower, one which guards the realms of
Earth and other dimensions from demonic forces of darkness. There are the
Gunslingers who work to protect the tower and those who wish to destroy it
using the minds of children, personified by the Man in Black (Matthew McConaughey).
After heading into another dimension, Jake finds the Gunslinger (Played by
Idris Elba) from his dreams and together they work to stop the forces of evil
from laying waste to the titular structure. The Dark Tower commits the worst
mistake a film adaptation can make; it poorly introduces every aspect of its
fictional tale. Everything from the characters to the world they inhabit is
just “there” without any sort of development or building. Without any effort to
draw the audience in, The Dark Tower trudges along, never becoming interesting
until the end. There’s a scene taking place in a village made vulnerable by the
Man in Black’s around halfway into the film and instead of fleshing out the
world, all it does it bring the film to a halt. This is the kind of adaptation
that expects its audience to be familiar with the source material and haphazardly
ploughs through the lore of its universe without any time for the audience to
take it all in. It all rings so hollow that by the halfway point you’ll be
disconnected from the proceedings completely.
The performances in The Dark Tower are almost completely
flat, generally wasting the talent brought on board. We learn next to nothing
about these characters so we don’t care about any of them. Jake is a blank
slate with nothing interesting about him; even the central notion of his
troubled childhood is meaningless because there’s no time dedicating to characterising
it. Equally frustrating is the near complete lack of chemistry between Jake and
his mother (Katheryn Winnick) which could have formed an emotional anchor. Matthew McConaughey is horribly generic here,
a villain whose finest quirk is running his mouth off about how scary his plan
to destroy the tower is. Other pointless or underdeveloped side characters
include Jake’s friend and the people of the aforementioned village scene. You
simply don’t believe in any of the characters or their motives, making the plot
even more uninvesting. The only redeeming actor here is Idris Elba who makes
the best of the basic material given to him; while it’s all pretty cliched, he
does a capable job of selling the roguish figure.
The visuals of The Dark Tower are mostly colourless and drained,
but rather than working to sell a foreboding landscape they instead serve to
highlight just how bland and lifeless the entire film is. The use of multiple
dimensions could have created a unique identity for the film, but because it
does nothing to distinguish the two locations apart from a few cosmetic
differences the sense of immersion is lost. Its costume design is equally unimaginative
with The Man in Black’s plain shirt and trousers being the worst offender. Many
of the action scenes are too fleeting to make an impact and don’t contribute
anything to the plot; for example, there’s one point where Roland and Jake are
attacked by some unnamed computer-generated creature but it’s never referred to
or mentioned ever again. At least the last action scene does feature some
free-flowing, rapid-fire choreography, even if it has no investment or context;
Elba blasts his way through the enemy while dual-wielding revolvers. Sadly, it’s
probably the only time you’ll get into the film’s failed ambitions.
Outside of Idris Elba’s serviceable performance and a decent
action scene near the end, The Dark Tower is a massive let-down. It’s easily
one of the shallowest adaptations in a long time; one that just can’t make
effective use of Stephen King’s wild imagination to create an enticing
adventure. You’re better off sticking to the original literature.
Rating: 1.5/5 Stars (Bad)
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