Released: July 1st 2016 (United States)
Length: 110 Minutes
Genre: Action and adventure
Certificate: 12A
Director: David Yates
Starring: Alexander Skarsgard, Margot Robbie, Christoph Waltz, Samuel L. Jackson, Djimon Hounsou and Jim Broadbent
It’s been more than a decade since we last had a film
adaptation of the vine swinging ape-man from the books of Edgar Rice Burroughs.
Directed by David Yates of Harry Potter fame, The Legend of Tarzan attempts to
be a grandiose adventure into parts unknown, but comes up somewhat short of its
contemporaries.
TLOT is very much a what-if scenario and in this way it
reminded me a lot of Stephen Spielberg’s 1991 film Hook. Tarzan (Or John
Clayton III as he’s known played by Alexander Skarsgard) has left the jungle behind, living as a lord with his
wife Jane (Margot Robbie) in London. In his absence, a number of rulers have
laid claim to the continent for its rich deposits of diamonds and ivory, the biggest
of which being the King of Belgium. He has sent a calculating captain named
Leon Rom (Christoph Waltz) to lay the groundwork for a takeover involving
industrialization, armed intervention and slavery; it’s up to Tarzan to return
to his wild ways, stop the plot and rescue his wife, with an American professor
named George Washington Williams (Samuel L. Jackson) in tow. It’s extremely
linear and gives you exactly what you’d expect. Tarzan must journey across the
landscape, coming across all kinds of animals and African tribes along the way;
he swings around the trees, gets into all kinds of scrappy fights and also
jumps into flashback mode from time to time where we learn more about his past.
In that sense it’s unremarkable, not really taking any risks with the story;
there are no major twists or turns, making for a fairly safe film experience
which plods on without many detours.
The characters of TLOT are relatively simplistic and some are
performed better than others. The biggest problem with the film is Tarzan
himself. When your main character is often overshadowed by those around him,
that’s a pretty big problem and aside from cracking a few small smiles the title
character doesn’t have much to show in terms of emotion. Skarsgard may have the
physicality to embody the character but he never really owns the spotlight. He
takes on the same blank expression, always having a serious look on his face.
Margot Robbie fares better as Jane who is often daring in the ways she defies
her captors whilst Christoph Waltz once again delivers a charismatic
performance as the villain; definitely a step up from his basic appearance in Spectre last year. Of all the big name actors in The Legend of Tarzan, it’s
Samuel L. Jackson that ends up stealing the thunder; he’s genuinely having a
good time with the whole thing and his comic relief, despite teetering into
modern day lingo at times, is still very enjoyable. The extras playing in the
tribes are fairly typical and while they do draw the viewer into the African
setting a bit, they aren’t all that developed, making their predicaments harder
to sympathise with.
TLOT is a technically sound production; the African Congo
portrayed looks superb with a range of mountains, gorgeous savannahs, dense
jungles and watery passages; combine this with the changing weather and you
have another visually stunning location that manages to be both inviting and dangerous
throughout the film. The costume designs and steam powered hardware are also
quite authentic, working to produce the feel of the 1800s. The same can’t be
said for the animals though; The Jungle Book spoiled us rotten with its breath-taking
creatures a few months ago and the effects here pale in comparison; the Ostrich
pack and Wildebeest stampede are especially lacklustre, failing to convey the believability
to the same level as the environments. At least the music from Rupert
Gregson-Williams makes up for it; booming drums brand the action with a
thunderous impact while the flashback scenes feature a surprising amount of
poignancy in their arrangements.
The newest film incarnation of Tarzan is serviceable at best;
it gives you some good action scenes, a few token performances and a dazzling
world to contain it all. Unfortunately a bland lead performance and some weak
computer effects bring it down from the sweeping epic it could have been; a
shame considering the director’s past flair for adapting literary works to the
screen.
Rating: 3/5 Stars
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