Friday 12 February 2016

Deadpool Movie Review

Released: February 10th 2016 (UK)

Length: 108 Minutes

Certificate: 15

Director: Tim Miller

Starring: Ryan Reynolds, Morena Baccarin, Ed Skrein, Stefan Kapičić, and Brianna Hildebrand

Deadpool has arrived at an interesting time in cinema; for the past eight years, we’ve been getting superhero films left and right, most of them being solidly produced action blockbusters that rake in millions year after year. For the first time in the Marvel Cinematic Universe, the company has taken a step back with their most outrageous and downright wacky character.

The film follows the misadventures of Wade Wilson (Ryan Reynolds), the “merc with the mouth” who lives a fairly simple life with his girlfriend Vanessa (Morena Baccarin). After being diagnosed with cancer, Wade runs afoul of Francis Freeman, also known as Ajax (Ed Skrein) who subjects him to nasty procedures to trigger the onset of mutant abilities. The narrative is told out of order, bouncing between past and present with Deadpool himself often narrating the proceedings. Whichever perspective we get to see it’s consistently crude and hilarious, filled with clever pop-cultural references, in-jokes, and parodies of established superhero traditions. The only times it deviates from this are when it needs to tell an origins story and a romance; I’m happy to report that it does both of those very well too. Deadpool’s backstory is pretty sinister when you get into it; his body is warped and badly damaged by his transformation which fuels his push for vengeance. It’s a dark tale which stands completely at odds with the humour on display. The romance feels genuinely believable too; beneath all the comic relief you can feel the closeness between Wade and Vanessa. On top of all that, we have the ties to the X-Men Universe and their efforts to discipline Deadpool a bit, which also leads to some great jokes. Multiple components in a single plot can be tricky to manage, but Marvel’s latest effort pulls it off without a hitch.

The film makes a point to set itself apart at every turn and this is mostly down to the characters. At the film’s centre is Deadpool himself, who is a thousand times better than his portrayal in the much maligned X-Men Origins: Wolverine (heck there’s even a point where he whips out an action figure of the infamously mouthless portrayal). He’s shameless in every sense of the word, spouting jokes and toying with his foes with reckless abandon, making him wickedly entertaining from start to finish. Ed Skrein is highly detestable as the villain; he takes such pleasure in what he does while fully embracing the common cliché touted in the film’s opening credits. The side characters are just as strong with a feisty performance from Morena Baccarin. Although Colossus (Stefan Kapičić) and Negasonic Teenage Warhead (Brianna Hildebrand) are relatively serious (they are part of the X-Men after all!), Deadpool still does a great job of playing off and giving them some comedy as well as incorporating them into the action sequences towards the film’s final act. There really isn’t a single weak link in the cast; they all have their place in the story and all contribute to the film’s comedic aspects in their own ways.

The way Deadpool looks and sounds is also very different to any other superhero film. It all begins with the opening credits which use of kinds of questionable phrases for the director, writer and cast, immediately informing the audience that it isn’t meant to be taken seriously. The fourth wall breaks give way to some additional camera angles, such as when the anti-hero turns the camera away or when it concentrates on specific… body assets in several scenes. It feeds into the more dramatic aspects fluidly and the same holds true of the action. It’s well shot, widely varied and fun to watch with ample use of slow motion to give a proper impact. The soundtrack is equally laidback, tying in with the immature tone that hangs over the entire film.

Deadpool gets the central character perfect, hits you with brilliant comedy every moment it can and stamps itself as one of the freshest superhero films in a long time. It’s right up there with the best Marvel has to offer and under no circumstances should you pass on one of the funniest movies in years. 


Rating: 5/5 Stars

Wednesday 10 February 2016

Spotlight Movie Review

Released: 29th January 2016 (UK)

Length: 129 Minutes

Certificate: 15

Director: Tom McCarthy

Starring: Michael Keaton, Rachel McAdams, Mark Ruffalo, Brain D'Arcy James, Liev Schrieber, John Slattery and Stanley Tucci

Excellence in journalism and the very best of relatable acting collide in Spotlight, an extended yet engrossing examination of a news team’s search for the truth.

Spotlight takes place in Boston, Massachusetts and recounts the revelations surrounding the systematic child abuse of Catholic Church priests in 2001. The titular branch of The Boston Globe handled the big news story over many painstaking months, which was comprised of Walter Robinson (Michael Keaton), Sacha Pfeiffer (Rachel McAdams), Michael Rezendes (Mark Ruffalo) and Matt Carrol (Brian d’Arcy James) along with the support of editors Martin Baron (Live Schreiber) and Ben Bradlee Jr (John Slattery). Their combined efforts uncovered a widespread and shameful level of paedophilia that went by seemingly unnoticed by both the law and those who attended the church. Every last detail from the original story has been packaged and composited into the film, emphasising the amount of work and difficulty the team went through. The narrative flashes between the different characters and their individual efforts in the story;  the events are relatively complex, but as the investigation progresses onwards, you’ll find yourself invested as more and more drastic measures and facts come to light.

With a realistic setting locked down, the characterisation has been designed to slot into it seamlessly. The members of Spotlight may not be especially varied, but they all share a common determination and camaraderie which makes the audience root for them. Their reactions to the revelations are all very natural, but of all the main characters, I think Mark Ruffalo has the most emotion to convey and he gets it all across superbly, particularly the sheer frustration of how such widespread corruption went by unchecked for decades. The film is never overzealous with the way it presents the characters; they’re all common everyday people who happen to be on the cusp of something immense. The emotions conveyed here are all fully realised and feasible with no additional side stories getting in the way of the plot. Even the side characters, such as the members of law who support the investigation are well acted, not to mention the victims of abuse who powerfully convey the trauma from their childhoods. It’s all incredibly authentic, making the film’s portrayal of the investigation even more detailed and memorable.

Spotlight is a truly mesmerising and often shocking account on one of the biggest scandals ever to be uncovered by journalistic investigation. The plot is intent and unwavering in the way it presents its story and the characters are both well portrayed and relatable. If you happen to be involved in the profession of journalism, it’s an absolute must see; for everyone else it’s simply another fantastically well-made drama based on a true story.


Rating: 4.5/5 Stars